Anna Caterina Antonacci
Anna Caterina, a soprano who is considered one of top performers of her generation. She was awarded the prestigious Voci Verdiane Callas Competition and Pavarotti Awards. French Republic awarded her with the highest possible national honor, 'Chevalier de l'Ordre National de la Legion d'honneur'. She recorded the album"L'Alba separadilla" dilla-luce L'ombra, with Donald Sulzen for Wigmore Live. It features tracks from Tosti Cilea. Anna Caterina is one of the Accademici Effettivi, as voted by the distinguished panellists at the General Assembly of the Academicians of Santa Cecilia. It took place in 2021. Anna Caterina performed as Madame de Croissy at Teatro dell'Opera di Roma for the season 22/23. The show is directed by Emma Dante. This role will be recast by Anna Caterina Antoniocci at the Bayerische Staatsoper later this season. Anna Caterina Antonacci hails from Italy and is well-known due to the parts she's played in both bel canto as well as the baroque repertoire. The main subject of her work was the Rossini Canon. She has been mezzo-soprano for several years. At 62 years old Anna Caterina Antonacci height not available right now. We'll update Anna Caterina Antonacci's Height Weight body measurements, eye color hair color shoe and dress size as soon as possible. It's been reported that she is in a relationship. She doesn't have a partner. There is no information available on She and her previous relationships. According to our Database there are no children. Her net worth has increased dramatically. Anna Caterina Antonacci has reached 62. What does she earn? Anna Caterina Antonacci makes most of her money by performing. Anna Caterina Antonacci (born 5 April 1961) is an Italian soprano best known for her performances in the bel canto and Baroque repertories. Mezzosoprano Antonacci focused on Rossini's canon over several years. Antonacci started her career as Rosina in Arezzo in 1986 following her studies in Bologna. In the New York Times profiled her with great detail in March of 2012.






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